A very well-deserved award for Best Adapted Screenplay for "No Country for Old Men."  I think it's easy to forget that a screenplay is more than dialogue.  What is so brilliant about this film is how much of the story is told by showing and not telling.  Especially in the first 35 minutes, as there is little speaking, music, or action, there still is a whole lot of plot that gets revealed through the visuals.  And where did those visuals come from?  The screenplay.  That's even more of a striking accomplishment when the source of that screenplay was a book.  Many screenplays adapted from books (I'm looking at you, "Atonement") can't help but meander, linger, and talk talk talk their way in, out, and through every situation.  And if the scenes don't tell the tale, a narrator will.  Just ask "The Assassination of Jesse James by the Coward Robert Ford" (or better yet, don't).

Moving on, it's Kristin Chenoweth, presumably answering Lisa Rinna's prayers with a cheery performance of what should win the award for Best Original Song, "That's How You Know."

More montages, some nice quips, jocular joshing with Seth Rogen and his doppelganger, and on to... wow, already?!  Best Actress!

This is getting to be big!