Oscar Blog: Topical Solution

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Topical Solution

Posted Wed, Feb 20, 2008, 2:33 PM

It's just before 5 p.m. in New York, and as the United States decides whether to shoot down a dead satellite and Oprah decides whether to dress up your dead wardrobe, your humble blogger is back from a visit to Los Angeles, where he taped a special for E! in anticipation of Spring Break, performed a swan song at his favorite improv theatre, and placed third in a citywide race of frenetic futility.

You may have noticed that I did not mention the Oscars as part of my trip.  That's because I didn't notice it as part of my trip either.  There's been a lot of talk lately about the Oscars, well, not generating a lot of talk.  I thought that maybe I just wasn't hearing the buzz because I was in New York.  And lately, the town was too busy with its own exciting events involving the latest winners in sports, clothing, and of course, competitive breeding.  Surely when I got to Hollywood, the only thing on its lips would be the Academy Awards (and lots of collagen).

Alas, it was not the case.  Unless and until I mentioned that I was blogging about the awards (which I casually wove into every conversation), the Oscars came up not once.  People wanted to talk about silly things - mostly politics, the settling of the writers' strike, and, in general, topics that I call: Not Me.

I have some theories as to why the Oscars aren't having the impact on discussions that they usually do, and since you've gotten this far into the blog post, you are going to read them:

The major nominated movies are for grown-ups.  Yes, Juno, which I am still loathe to mention as a major nominee, is something that the teeny-boppers can relate to (Pregnancy! Cool!), but the others feature adults making adult decisions.  Something else that is a nice trend to see: the adults are smart adults making smart adult decisions. And even rarer: Some of the adults are smart adults with Southern accents making smart adult decisions.

There are no "Important" movies.  Yes, there's a dude with a rare disease, but you barely see him.  And the movie is so exquisitely made, it forgot to call attention to itself and be an "issue" movie.  Also, sadly, not that many people saw the film.  Besides that, we're not bombarded with nominated films front-loaded with self-conscious issues.  You're not going to see survivors, veterans, or the real Erin Brockovich.  This makes a difference in how a movie is marketed at Oscar time, and hence, how it's in the zeitgeist and discussed.

Brand names are on the shelf. Clint Eastwood, Leonardo DiCaprio, Peter O'Toole, Will Smith, Eddie Murphy, Meryl Streep, Judi Dench, Kate Winslet, Paul Haggis, Phillip Glass -these are the kinds of names and star power that we were dealing with in the nominees last year.  Oh and by the way, none of them won.

There actually are more important things to discuss.  Sshhh... The dirty little secret of this entire operation is that the Oscars don't really, really, matter.  Um, except, that this of course is no secret and there's nothing dirty or little about it.  I am at once amused, surprised, bewildered, and proud of the righteous comments we get on this blog from people who say that the Oscars are self-congratulatory and that we should focus on the important suffering of the world.  Well, of course they are self-congratulatory - name a peer-based award that isn't!  And yes, there are zillions of more important issues in the world.  And yet who gets mocked for drawing attention to them?  Celebrities - especially at awards shows.  So I'm glad people can have the perspective to see that it's just a night for some fun and glamour.  But I also give the human mind some credit;  mine, for instance, can hold both the thought that we need do something to end the suffering caused by poverty and that we need to do something to end the suffering caused by Beyoncé's hair.

And of course, the most obvious and crucial reason...

Not enough people are reading my blog.  Let's do something about that.  It's up to you, Yahoo! users.

Now, I have one reason why the Oscars are discussion-worthy this year, and it's a good one: the quality of the movies.  They may not be as exciting or political as in previous years, but the skill of the filmmaking has rarely -if ever-been better.  You do remember the movies, right?

Discuss.

Comments

Join the discussion. Here you'll see the comments in the order they were posted.
  • I cannot remember a year in the past 20 when I have seen as few of the nominated pictures as I have this year--and most of them have been sent to my husband for viewing! I did see Viggo Mortensen's most deserving of nomination turn in Eastern Promises. Well, most of it. I spent the sauna scene hidden in my husband's arm-pit, which means I probably missed most of what my girlfriends went to the film to watch. His is a far more subtle performance than that which is garnering bling for Daniel Day-Lewis. If I hear that damned milkshake line again on the radio, I am going to scream.

    Posted by: mcvalada on Thu, Feb 21, 2008, 8:13 AM   [ Report Abuse ]
  • I've somehow managed to see all the Best Picture films in time this year. I'm rooting for "Atonement" -- it stands out in my mind for making full use of all of the tools of the film art (shifting time, space, perspective) and had very good performances all around as well as an epic scale, an excellent look & sound, and a surprising but appropriate ending. At the other extreme, I can't fathom why "Michael Clayton" was nominated for Best Picture. I agree that Tilda Swinton was riveting, but none of the other acting was at that level, and the plot sucked. The character of Michael Clayton -- despite being continuously labeled as a "fixer" -- isn't shown accomplishing much of anything along those lines until he accidentally avoids being murdered and runs to the FBI for help. Zero catharsis in that for me. I'd put "Juno" in the middle of the field for over-writing and for under-representing any opinion the young father might have had about his child. My runner-up would be "There Will Be Blood", leaving "No Country" as long-shot.

    Posted by: donchesebro on Thu, Feb 21, 2008, 9:34 AM   [ Report Abuse ]
  • hi....... im hazel from sti college.....

    Posted by: hazel_espila on Thu, Feb 21, 2008, 9:59 PM   [ Report Abuse ]
  • hi....... im hazel from sti college.....

    Posted by: hazel_espila on Thu, Feb 21, 2008, 9:59 PM   [ Report Abuse ]
  • hi.... poh mztah,

    Posted by: hazel_espila on Thu, Feb 21, 2008, 10:00 PM   [ Report Abuse ]
  • hi, gud.afternoon

    Posted by: hazel_espila on Thu, Feb 21, 2008, 10:02 PM   [ Report Abuse ]
  • Diane Keaton starred in Woody Allen's film, "Annie Hall." She may be best remembered for that role, and that very well-known movie. She wore an Annie Hall outfit to the Oscars. Perhaps a new one, or perhaps the very one she wore in the film - loaned to her, or given to her, by the studio. For personal reasons Diane Keaton would hold that Annie Hall outfit close to her heart. Instead of displaying Diane Keaton, with honor and joy, for the remembrance of all who saw that film - she was photographed and lambasted as one of the "Worst Dressed." How insensitive have we become? Was the one who named her one of the "Worst Dressed" too young to remember and know? Let us not have ignorance in reporting, nor ignorance in making the "Lists" and "Categories" for the Public. Let us contemplate insensitivity or ignorant behaviors. L.S.

    Posted by: lana061341@sbcglobal.net on Fri, Feb 22, 2008, 11:50 AM   [ Report Abuse ]
  • HOW MANY PEOPLE actually saw atonement?? compared to the box office hit american gangster..the oscars are not for blacks. Juno was not "all that" oscar worthy.. NO, a pregnant teenager giving up her child and then decides she's in love with the dad..what??? and why is ruby dee being nominated she had all of about a 15 minute part in a two hour long movie..i guess she is the token black at this years oscar... micheal clayton was great loved it!!!

    Posted by: kmoblue5@sbcglobal.net on Fri, Feb 22, 2008, 4:49 PM   [ Report Abuse ]

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